© Villa Schöningen, Foto: Noshe
© Villa Schöningen, Foto: Aimee Shirley, 2023.
© Villa Schöningen
© Villa Schöningen, Fotos: Noshe
© Villa Schöningen. Foto: Gernot Seeliger, 2023.
© Villa Schöningen, Foto: Aimee Shirley, 2023.
Inge Mahn, Balancierender Stuhl (Balancing chair),2017 Inge Mahn, Balancierende Kugel (Balancing ball), 2017 © Villa Schöningen, courtesy the artist and Kadel Wilborn, Foto: Sascha Herrmann, 2022.
Ohne Titel, Martina Kügler, 1988, Tusche auf durchscheinendem Papier/ Black Indian ink on translucent paper, 29,7 x 21 cm Gerahmt/ framed: 30,3 x 21,5 x 2,5 cm
© Villa Schöningen, Courtesy Freundeskreis Martina Kügler, Frankfurt und/ and Mountains, Berlin
Schwelende Frucht in Händen Feuerasche der Laubgang wie abgesägt zuckt sich in den Himmel, Martina Kügler, 1989, Stift auf Papier/ pencil on paper, 29,7 x 21 cm , Gerahmt/ framed: 30,3 x 21,5 x 2,5 cm
© Villa Schöningen, Courtesy Freundeskreis Martina Kügler, Frankfurt und/ and Mountains, Berlin
Rockversperrung , Martina Kügler, 1989, Stift auf Papier/ Pencil on paper
29,7 x 21 cm, Gerahmt/ framed: 30,3 x 21,5 x 2,5 cm
© Villa Schöningen, Courtesy Freundeskreis Martina Kügler, Frankfurt und/ and Mountains, Berlin
Foto: Sascha Herrmann, 2022
© Villa Schöningen, Foto: Carsten Beier, 2023.
Jenny Brosinski, I was looking at all the life, 2019 Stefan Marx, I Need Another Year Alone, 2021 © Villa Schöningen, courtesy: The Artist and ruttkowski;68. Foto: Noshe, 2021.
Georg Baselitz, Ade Nymphe 1, 1998, Markus Lüpertz, Untitled, ohne Jahr © Villa Schöningen, courtesy the artist their legal successors and Döpfner Collection. Mathias Weinfurter, Monument 01, 2021 © Villa Schöningen, courtesy the artist and Ruttkowski;68. Foto: Sascha Herrmann, 2021.
Christian Jankowski, Nr. 2 Neue Malerei – Boucher, 2018, Öl auf Leinwand/ Oil on canvas Französischer Meister, Die Venus mit dem Silberblick, 2. Hälfte 18. Jahrhundert/ 2nd half of the 18th century Öl auf Leinwand/ Oil on canvas Georg Herold, Ohne Titel/ Untitled, 2010, Dachlatten geschraubt, Strumpfhose/ Roof battens screwed, tights, Alex Müller, „Endlich Dick“, 2023, Tusche auf Satin, Watte, Holz/ Ink on satin, absorbent cotton, wood courtesy the artist and Haverkampf Leistenschneider, Bruno Paul Seener, Kartenlegender Akt am Fenster, 1925, Öl über Bleistift auf Holz, auf Hartfaserplatte/ Oil over pencil on wood, on hardboard © Villa Schöningen, Foto: Sascha Herrmann, 2025.
Tamara de Lempicka, Nu assis de profil, Um 1923/ Around 1923, Öl auf Leinwand/ Oil on canvas Wolfgang Tillmans, “ Lutz & Alex holding cock”, 1992, Inkjet Druck/ Inkjet print courtesy the artist and Galerie Buchholz Hans Rottenhammer d.Ä., Venus vor dem Bade, 1610/20, Öl auf Schiefer/ Oil on slate
© Villa Schöningen, Foto: Sascha Herrmann, 2024.
Sophie Utikal, 4 Frauen mit roter Schnur, 2024, Viskose, Chiffon, Packseil/ Viscose, chiffon, packing rope courtesy the artist and Galerie Ebensperger © Villa Schöningen, Foto: Sascha Herrmann, 2025.
Mission
Villa Schöningen presents changing exhibitions of contemporary art alongside works by Old Masters, seamlessly blending historical and contemporary artistic narratives. The venue itself, steeped in its own history and architectural landmarks, harmoniously blends art and nature, encouraging dialogue on past and present alike.
Since 2023, our temporary exhibitions have explored themes and questions inspired by works from the Döpfner Collection.
With a focus on the female nude, the collection boasts a diverse range of some 650 works, making it one of the world’s most important collections in this specific genre. The holdings span a range of artistic forms, from sculpture, painting, drawing, photography, video, and performance art; from 8,000-year-old artifacts to contemporary works. Depictions of nudity and sexuality reflect the evolving landscape of moral values, political shifts, definitions of intimacy, privacy, tenderness, and violence, as well as shifting paradigms of gender roles and identity. Representations of and ideas about the female body serve as a barometer of the ever-changing socio-political climate, and as such, serve as an excellent starting point for an exhibition space that aims to shed light on contemporary issues.
Through changing exhibitions, guided tours, readings, concerts, and drawing classes, as well as our ongoing partnerships with other institutions, Villa Schöningen strives to be a vibrant center for art, social dialogue, and freedom-not only in Potsdam, but also nationally and internationally. All programming is conceived and implemented by our director.
Villa Schöningen and its historic park are a protected monument and an integral part of the Prussian Palaces and Gardens, a UNESCO World Heritage Site. The maintenance of the premises and the ongoing exhibition program are made possible by the generous private support of Mathias Döpfner.
Team
© Villa Schöningen.
Foto: Lee Everett Thieler
Pola van den Hövel
© Villa Schöningen, Foto: Noshe
Sonia González
Press
Feel free to send us press inquiries via email at info@villa-schoeningen.de.
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